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Born Mary Ellen Harrison, March 1897, in Vanderburgh County, Indiana (near but not in Henderson, Kentucky as
commonly referenced -
see editor’s note below),
Marion Harris’ recording career began in 1916 with
“I Ain’t Got Nobody Much” (“Much” was subsequently dropped from the song title) for
The songs that Marion Harris introduced or popularized include such standards as
“After You’re Gone” (1918),
“A Good Man Is Hard To Find” (1919), “Look For The Silver Lining” (1920),
“I’m Nobody’s Baby” (1921), “Carolina In The Morning” (1922), “It Had To Be You” (1924),
“Tea For Two” (1924), “I’ll See You In My Dreams” (1925) and
“The Man I Love” (1927) just to name a few.
In 1910 a 13-year old Mary Ellen and her mother, Gertrude Harrison, a stenographer, were living near Kansas City, Missouri. Mary Ellen’s father James was not with them at the time leading to speculation that he has died before their move to Missouri or the parents were divorced so mother and daughter moved on.
Miss Harris (sometimes mistakenly spelled “Marian” Harris - click on
“Sweet Daddy” sheet music to the right for example) begin her career in the 1910’s by singing
with colored slides used by motion picture houses of the day.
She was discovered by the famous Fred Astaire mentor, dancer Vernon Castle. She was brought to New York by Broadway
producer Charles Dillingham and opened in his production of
“Stop! Look! Listen!” [Ed.: unable to verify].
After three years of recording with Victor from 1916 to 1919, Miss Harris left
for Columbia Records recording there from 1920 to 1922. In late 1922 Marion Harris went to Brunswick Records
and remained with Brunswick until 1930. From 1931 to 1934 Miss Harris recorded for Columbia Records
in London producing her last side, the appropriately titled
“Singin’ The Blues” (Decca F-5160).
A very popular singer in the 1920’s, Marion Harris recorded into the 1930’s with over 130 recordings to her credit.
She performed with the Isham Jones Orchestra and at the Cafe de Paris in London in the early 1930’s.
Marion became a very popular vaudeville performer playing numerous engagements at the Palace in New York during
In 1927 Marion could be seen in Broadway productions of
“Yours Truly” and
“A Night In Spain”. Marion made numerous appearances at the Palace in New York
during 1926 to 1931. In 1929 she sang Vincent Youman’s “More Than You Know” in the musical
play “Great Day” which opened in Philadelphia.
Marion Harris’ first husband was actor
(1897-1931) who starred opposite of Jean Harlow and Loretta Young in
A gifted actor with great potential, Williams died after an appendicitis operation just three days after the
film was released. This union produced a daughter, Marilyn (Mary Ellen) Williams, who had a singing, acting career in the
late 1940’s and early 1950’s billed as “Marion Harris, Jr.”.
Marion Harris was married in 1923 to Rush Bissell Hughes, son of Rupert Hughes, the famous novelist and
playwright (and uncle of Howard Hughes). Together they had one child Rush, Jr. They divorced in 1928 following allegations
in May 1927 involving a sixteen-year-old chorus girl Adele Smith
who accused Rush Hughes of attacking her at the Hughes’ home in Long Island. Miss Smith had a part in the
“Yours Truly” along with Marion Harris. Rush Hughes was later acquitted by a grand jury but
this event took its toll on their marriage. Divorce was granted on January 5, 1928 in Chicago. Custody of
their two-year-old son, Rush Jr., was granted to Miss Harris.
In 1929 Marion Harris plays Ramon Novarro’s cousin in
her first and only full-length motion picture. During this same time period she also did a MGM Movietone short
“Song Bird of Jazz” featuring two songs
“Afraid of You” (click here to play) and “We Love It”.
During World War II Miss Harris was living in London with her theatrical agent husband Leonard Urry. She was
bombed out of her home in London. She returned back to New York and was a patient at the Neurological Institute
a few weeks before she death. Marion Harris died on April 23, 1944 at the
Hotel Le Marquis,
12 East Thirty-first Street in New York.
She had gone to bed with a lit cigarette that ignited her bed.
Today Marion Harris rests in the Actors Fund of America section of
Kensico Cemetery (grave 855), Valhalla, New York as “Marion Harris Urry”.
Note the incorrect “1906” birth year on her headstone. Marion’s is just one of hundreds of
non-descript headstones neatly lined-up in rows of forgotten theater people. Broadway comedienne
Fay Templeton occupies an adjacent grave. Nearby lies Sergei Rachmaninoff. The cemetery is also home to
Lou Gerhig, Tommy Dorsey, Danny Kaye, and Flo Ziegfeld.
Marion Harris is yet another unsung, forgotten star of the stage and popular songstress of the 1920’s. Listeners
to her recordings today will find her voice and phrasing unparalleled by other stars of the era.
Research is currently underway to find the birthplace and early
beginnings of Marion Harris. This is made difficult by the lack of reliable and verifiable sources for her birth.
Some sources say that she was born in the Henderson area of Kentucky. People who have researched the birth records
there say that there is no evidence of her birth or beginnings in Henderson. However, research
indicates that Marion Harris was born Mary Ellen Harrison in Indiana (Source: 1900 Federal census for Pigeon Township, Vanderburgh County, Indiana).
Some sources have her as the granddaughter or grandniece of President
Benjamin Harrison or a non-existent Kentucky Senator or congressman named “Harrison”.
All of this is probably due to the early efforts of the record company executives to enhance Marion Harris’ possibly
If anyone reading this has credible facts about Miss Harris and/or her children and their descendants,
do not hesitate to
After You’ve Gone (Camden, NJ, 1918)
I Ain’t Got Nobody (New York, 1920)
My Canary Has Circles Under His Eyes (London, 1931)
Click Album Cover to Buy
Very Best Of
1916-1919 Master Recordings
Look For The Silver Lining
Complete Victor Releases
Archeophone Records #5001
The First Torch Singers, Vol 2, 1930-1934
Take Two 412
“He’s My Secret Passion”
The Artistry of Marion Harris 1924-1934
Take Two 217 (1984)
- I Can’t Get the Man I Want
- There’ll Be Some Changes Made
- It Had to Be You
- Tea for Two
- You Do Something to Me
- The Man I Love
- Nobody’s Sweetheart
- One Morning in May
- My Man from Caroline
- Funny, Dear, What Love Can Do
- Nobody’s Using It Now
- Ooh, Honey, What You Do to Me
- Blue Again
- He’s My Secret Passion
Fountain LP 207
- Lovey Came Back (Brunswick 2494)
- Charleston Charlie (Brunswick 2735)
Click on each image
for a larger view
Brunswick Catalog 1922
Columbia Catalog 1922